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1:35 Armor Projects

Sd.Kfz 251/22 Ausf. D “Pakwagen”: Construction

For the last little while AFV Club’s Pakwagen has been a priority for me to build. There are a few reasons for this, namely I just think it’s a cool subject and I’ve been meaning to build one for a while now. There’s also the fact that I’m a bit out of practice when it comes to painting and weathering German vehicles and since I have a few slated to be built this year, this kit will serve as a nice test run prior to starting those planned builds.

I had intended for the construction phase of this build to be as smooth and painless as possible. I didn’t want to invest a ton of time building the kit because like I said, the focus was supposed to be on the painting and weathering. Unfortunately for me, AFV Club had other plans.

In short, the kit doesn’t fit well at all and has significant engineering issues. This entire process has been frustrating to say the least. It’s been so bad I’ve considered swearing off this brand all together, however there are a few Israeli Shot Kal’s they offer that may tempt me. Bottom line however, I’m not buying another AFV Club kit for a while.

Construction begins assembling the lower hull and suspension components. There’s nothing to write home about here, and the fit for the suspension arms is vague at best. To my surprise the whole frontal steering and suspension assembly section fit together well and was level when completed. Of particular note was how the drive wheels (Not the steering wheels) fit together. AFV Club has you completely sandwich them together (Step 3) and it takes a significant amount of force to do so with one of mine even cracking under the pressure. it’s amazing this was the solution that was some up with.

The dashboard fits together alright and I opted to add some wiring despite the fact that it won’t ever be seen. Fitting the dashboard to the hub however is tricky and you really have to make sure that it’s seated well because if it’s not that will impact how the upper hull will fit. Next I filled out the various fittings for the main compartment and by far the cradle for the Pak 40 (assembly J) was the worst subassembly of the kit so far. I opted to assemble the thing attached to the hull then glue the parts together to ensure the final product will fit properly. I thought that this was a good idea until I actually tried to assemble it and here’s what went wrong:

  • Part Ho2 is too big and will cause the legs (Ho3 and Ho4) to bow out.
  • Part Ho5 doesn’t fit it’s attachment point and it’s not close.
  • Part Ho1 has “steps” for the legs to slot into but these “steps” are more like “curves” and it’s impossible to get concrete fit.
  • The pins for the entire assembly used to fit into the hull are incredibly small/weak and you’ll shear them off easily.
  • The entire assembly is too tall and you need to remove 1-2 millimetres from the top to allow the upper hull to fit.

This kit had various other fit issues such as the engine access doors, the exterior storage doors, the rear doors for example. Now that I think about it, virtually all the doors in this kit had problems fitting. AFV Club, how hard is it to make a rectangle fit in a hole?

With all these issues I was dreading working on the Pak 40 Anti-tank gun. With numerous fiddly parts I did not have a ton of hope with how it was going to go together. The answer? Not great, not terrible. Really, it wasn’t the worst, and was better than other parts of the kit. It wasn’t great by any means but the end result is a somewhat good looking Pak.

For this build I used a set of 3d printed tracks from DEF Model and while I’m typically wary of 3d printed products I don’t have direct experience with these went together beautifully. They came off their supports with little to no effort with not a single link broken or unusable. Additionally, they went together great and just snap together. If there are any downsides to these they are as follows: first, since they are snap fit they tend to deform under tension and one “pin” will slip out (without coming apart all together). Second, I don’t think they fit the model that well as they have to be posed under high tension or fairly slack with the addition of one link. Despite these issues I don’t regret picking these up and always like to try new tracks.

Construction had to take pause here as I needed to complete the painting of the interior before moving forward. The assembled vehicle would have zero space for any kind of painting or weathering of this area when built up so I decided to finish this task now. I knew I would be painting the interior in German dark yellow and opted for German grey as the undercoat chipping layer, seeing as the exterior of the vehicle would be chipped with red-brown.

To be honest the chipping fluid method did not work as well as well as I intended. It was difficult to get the paint to chip the way I wanted and I ended up with small flakes coming off instead of larger, more controlable chips. I used Tamiya dark yellow thinned with the Tamiya acrylic thinner and I’ll have to investigate more into how to get the results I’m looking for. All in all I’m not too disappointed because A; this area won’t be hugely visible and B; I got to practice doing hand made chips. I think this went ok seeing as I have next to no experieince creating the chipping effect this way.

I also tried making some basic woodgrain texture using oil paints. It’s quite an interesting technique and somewhat straightforward. I painted the wood parts in Tamiya Buff, and then using a dark brown oil paint colour I streaked the paint across with a dry brush. This creates visible brushstrokes that simulate woodgrain that looks very realistic in scale. I like how this turned out!

At this point I sealed the interior with a coat of VMS satin varnish prior to going further with the weathering. I next used oil paints for a pin wash but also to create some surface definition on the vehicle floor. I did this to represent general dirt and grime that would get caught on the grippy steel surface. It’s important to mention that this was a very general approach and in this phase I didn’t pickout specific details (aside from the pinwash). Additionally, I speckled on some MIG enamel weathering product “fuel stains” and “Oil and Grease stains” to create points with a little more contrast to the dark yellow base coat. I didn’t want too much contrast however and I used a brush damp with enamel thinner to slightly feather the drops to create a more subtle gradient.

This was largely the end of the general weathering and a sealed the model in a coat of alclad flat before moving on to more specific, focused weathering effects. For this stage I’ve been really drawn to three products in particular, MIG’s “Fuel stains”, “Oil and Grime stains” and “Engine Grime” The names of these products can be deceiving as they are very versatile enamel products that can be used in many different applications. In this stage of the weathering I would apply one of these products near a detail I wanted to highlight and then stipple the slightly dry product with a brush damp with enamel thinner to create a gradient and blend the stain into the model.

The rear bulkhead weathered with “oil and grease” stain mixture.

Overall despite some atrocious fit issues, AFV Club’s Pakwagen is slowly shaping up and is looking fairly good at the moment. More posts to come on this subject!

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1:35 Armor Projects

T-55A Mod. 1981: Completed Model

After almost three years in the making Miniart’s T-55 has been completed! This kit has been sitting in my “in progress” drawer for well over a year now and it feels great to finally have it completed. I decided to try to push myself and try out new techniques in completing it and I’m glad I did. One goal of mine was to not use any pre-shading at all in the painting process, a technique that is very familiar to me and I use in a lot of my builds. Instead I used the dullest coat of Russian 4bo as the main base coat and tried post shading the model to create colour modulation.

I’m glad I placed these limitations upon myself because I’ve felt that when I have a technique or process that I like I can tend to stay entrenched in said process and not grow as a modeller. I definitely feel like this build exposed me to new ways of doing things that I’ll be incorporating into future builds. One new technique I tried out was weathering over a matte coat. In prior builds I had always done my weathering over a gloss or satin clear coat and left the matte coat until the end to tie things together. I decided to stray from this process in this build with the majority of heavy weathering being doing over the final matte clear coat. It went better than I expected and it’s something I’ll be doing going forward.

I also made an effort to use a lot of different weathering products and mediums together. In prior builds I may have just stuck to one specific type of medium in my weathering and as a result I may have not been as familiar weathering with enamels or pigments for example. For the T-55 I made heavy use of these mediums with the various fuel and oil stains being created with MIG enamel products. I also used quite a bit of pigments and applied them basically where I felt dust and debris would collect on the vehicle. In short, I think that the three pronged approach to the weathering on this build (Oils for a general wash and streaking, Enamels for fuel stains, oil leaks, and rust effects, and pigments for dust and dirt deposits) worked well and it’s a process I’ll keep in mind for the future.

That’s it for now! Enjoy the final build gallery below!

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1:35 Armor Projects

T-55A Mod. 1981: Weathering

Miniart’s T-55 has been in progress in one form or another for almost two years now. It’s survived being stuffed in a box and a move across the country. There’s a few reasons why I’m only getting around to finishing it now, namely that I was more interested in other projects and that it’s a complex kit and not one you’d try to finish when being away from the hobby for a sustained period of time. I’ve slowly picked away at it for the past year but with a new year returns an old build as I’m determined to start the year by finishing off this shelf queen.

In starting the weathering process I’m reminded that conceptualizing the final result *before* beginning the painting process is needed for a good result. In slowly chipping away on this build I painted a layer of 4BO with no real direction as to what I wanted the final result to look like. Looking back this was a mistake, as I would have liked to add some chipping effects via the hairspray method. This mistake could be salvaged however and I decided to use this build to experiment with post shading, colour modulation and other heavy weathering effects. Basically I want to push this build and really go far with the weathering and pigments to get a better understanding of what works and what doesn’t. I settled on a dusty finish of a vehicle set in a desert environment and I think the green of the tank will contrast nicely with the brown environment it will be set in.

The weathering process started with adding some rust highlights by spraying some various rusty shades on the fuel tanks to create some contrast between the tanks and the vehicle hull. I then opted to treat the fuel tanks to a chipping effect to simulate areas where the paint has peeled away and exposed the rusted metal underneath.

Hairspray chipping helped to start a rust effect on the fuel tanks.

After getting the tanks where I wanted them, I hit the model with a gloss coat to seal the paint prior to an oil pinwash. Normally I’d stick with satin finishes on armour but seeing as there were a lot of details for a wash to skink into I opted for the gloss coat in this stage. After the pinwash I used VMS Satin to seal the model again before moving onto further effects. I opted for a satin coat instead of working over a gloss surface because it would allow for easier blending between the various effects I wanted to use.

Initial weathering was comprised of enamels from MIG using various grime and fuel stain effects. I like how this initial stage turned out although I think I need more practice with enamels as they are not my go to as much as oils are. That said, I like how “grimy” I was able to make the surfaces look and how the staining interacts with the colour modulation. This phase was only meant to be a base for the pigment work which will come next.

Since I knew I wanted to pose this vehicle in a Desert or Arid setting, I wanted a significant amount of dusting done to the model. I started on the running gear and underneath the fenders and stippled on AK’s “Kursk Earth” along with various other pigments. I also utilized a “light mud” product from AK to get very light splashes to add contrast. With it having been quite a while since I had really dirtied up a tank much of this process was experimenting to see how I liked the end result. I also cut up some static grass and mixed it with a light pigment before applying it to the model to simulate foliage being stuck to the underside of the vehicle.

For the initial dusting I utilized two pigment shades with pigment fixer and while I think it was good experience to practice with using pigments I think my application of this medium would use some refinement. I do think I need to slow down a bit and put more effort into blending while the pigments are still drying which is something I’ll need to keep in mind for the next build.

I used T-Rex tracks for this build and couldn’t be happier with how they turned out. I painted them in Gunze Mr. Metal Color “Iron” which if left unbuffed will remain a dull dark grey but will result in a really great shine if you rub the surface. I added some more “Kursk Earth” long with several different pigment shades to create a dusty weathered look. I then used several q tips to wipe away the pigments where wear would occur and revealed a nice shine to represent polished metal. I also added graphite onto the cleats on the reverse side to represent where the track would contact the ground the hardest and buff them metal.

This is where I’ll leave this update for now but there are sill a few things I’d like to do before declaring this one complete. I’d also like to put this one on a proper base so I’ll need to get that completed as well. Hoping to get the T-55+Base all done by the end of February so not a whole lot of time left!

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1:48 Aircraft Projects

CF-18A Hornet: Completed Build

This past week I was able to finish Kinetic’s 1/48 CF-18 and just in time for the holidays! (currently finishing this write-up out of Toronto Pearson) This build took around 3 months to complete and although I’m definitely happy with the end result (probably my best result to date!), the build itself was challenging to be completely honest.

The kit was plagued with rough fit and unclear instructions. The infamous nose/windshield assembly lived up to its reputation and fought me the entire way.

As I had been thinking about this build for the better part of this year, I spent the months leading up to it gathering various aftermarket pieces to enhance the build. The full list is as follows:

  • Leading edge “Combat Hornets” decal set
  • Aries Resin ejection aeat
  • Flying Leathernecks 3d printed accessories
    • Wheels
    • Hud
    • Pitot tubes
    • Weapon pylons
  • Eduard Resin Aim-9 Sidewinder and Aim-7 Sparrow missiles
  • Anyz decals and 3d printed parts
  • Various scratchbuilt wiring and tubing

The Leading Edge decals really were the catalyst for the build, I knew I wanted to build a Canadian Hornet but that I also wanted build a specific aircraft, No. 188780, one of the participants of Operation Friction, Canada’s contribution to the 1991 Gulf War. This aircraft stood out because of the Cyrillic writing “oсмотри назан” on the Lex fences, with some sources translating the text as “check six”. This marking was specific to aircraft based at CFB Cold Lake which were responsible for “greeting” Russian aircraft over the arctic. As far as I can tell 780 was the only aircraft with the Cyrillic writing present in Desert Storm.

Refocusing back to the build, I tried to scribe my own panel lines for the first time along with adding rivet details. While I feel my scribing skills need improvement, I think that the rivet details I added really stand out and were a worthwhile addition to the model. Kinetic is missing some pretty prominent rivet details on the wing and vertical stabs and the custom detail really enhances the area IMO.

A more detailed breakdown of the painting and weathering stage can be found on that phases’ separate post but the basic overview is as follows. I primed the model in black, added an initial marble coat, followed by a blend coat and detail coat before tying the entire finish together with a final blending coat. I really do enjoy this technique, the method of slowly raising the opacity of paint layers comes very natural to me and is a straightforward (if time consuming) process. That said I do think I need to experiment in this area, and possibly start to add more post-shading to my workflow. As it stands now I see two distinct disadvantages to my current process, the first is that this is a very “dark” method in that since the model is being primed black I often need to finish the model in a shade lighter so that the end result is tinted the correct shade. The second issue is that the best gloss varnishes like to burn hot and will reduce the opacity of the paint by about 5% or so which needs to be taken into account when spraying the final blend coat.

One area I wanted to pay specific focus on was the cockpit, and took extra care and time to get it looking how I wanted. Of immense help was Kris Sieber’s book, “Superdetailing the F-14 Tomcat” which is a must buy for anybody serious about building modern jets. Even though the book is about the process of detailing a Tomcat the techniques can be applied to any ghost grey jet.

All in all however, I really do feel that this is the best kit I’ve built so far and I was able to use everything I’ve learned over the past year or so to really enhance both the building process and the painting/weathering process. Enjoy the final build photos below!

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1:48 Aircraft Projects

CF-18A Hornet: Main construction and Painting

With the cockpit and gear bays completed, work could get started joining the two fuselage halves and other assemblies before spraying paint. I have to admit, I wasn’t looking forward to this part as Kinetic’s nose assembly is rather infamous for it’s fit and this build is no exception.

The whole nose and front windshield assembly is such a bear to build, It’s really quite frustrating that they built it the way that they did. none the less I was able to complete it after a lot of sanding and swearing and got it to a place where I was reasonably happy with it.

almost ready for paint!

Seeing as I’m opting to represent a early 1990’s Hornet, I also removed the nose antenna and opted for the early style antennas on the spine of the aircraft. Mr. Finishing surfacer black was the primer of choice (my default choice) and I got to work on the main painting process.

I also started with the main painting process by marbling the control surfaces. They are all being painted separately and I typically use them as a test bed for practicing before committing to the main body. I chose three main shades for the marbling xf-23 light blue and xf-65 field grey were used as the grey and green shades along with a mix of xf-10 flat brown and xf-57 buff for a brown shade. Both the xf-23 and xf-65 were lightened with white before applying them to the model. It’s important to lighten the marble colours before applying them in my opinion as if they are took dark then it is difficult to get coverage with the main coats and as a result the main coat must be a shade lighter. By preshading and marbling with a slightly lighter shade you can avoid this and spray the exact desired final colour.

For the first blend layer I used Mr. Color 308 (FS36375) and 337 (35237) for the lower and upper surfaces respectively. I sprayed a very thinned mixture as I really didn’t want to overpower the pre-shading/marbling. After blending the finish I sprayed Tamiya flat white through a torn up scour pad to get some surface highlights and additional variability. The end result set me up quite nicely for the final coats of paint.

After unifying the surface I was left with the finish below. I’m quite happy with how this main round of painting has gone although I do want to go a bit further with various post shading effects. This was my first Cf-18 and all in all this was the overall effect I was searching for.